ai exploitation of culture

How did Australia’s Labor government manage to anger virtually every creative professional in the country? Simple – by entertaining a proposal that would let tech giants feast on Australian creative content without paying a cent.

The Productivity Commission dropped a bombshell with its proposal to allow AI companies free access to copyrighted Australian works for machine learning. Their bright idea? Slip AI training under “fair dealing” exceptions in the Copyright Act. The commission dangled an enticing carrot: A$116 billion in economic benefits over a decade. But Australian creators aren’t buying it.

The creative community erupted in fury, and who can blame them? The proposal fundamentally gives Silicon Valley behemoths a free pass to mine Australian cultural works without permission or payment. It’s like inviting vampires to an all-you-can-eat buffet, except the meal is decades of Australian creative output.

Silicon Valley giants want to feast on Australian creativity like vampires at an all-you-can-eat buffet of cultural works.

The evidence of tech companies’ appetite for unauthorized content is already clear. Meta‘s been caught red-handed using Australian authors’ works without asking. When questioned during a Senate inquiry about their training data sources, tech companies did their best impression of a politician avoiding straight answers. The copyright protection remains essential for artists to make a living from their work.

The stakes are particularly high for First Nations communities, whose cultural heritage could be strip-mined by AI systems with zero regard for cultural protocols. The commission’s interim report calls for extensive feedback on copyright reforms to address these concerns. Imagine sacred stories and art being churned through algorithms like cheap hamburger meat, then spat out as counterfeit knockoffs. Cultural biases in AI training data could further distort and misrepresent indigenous traditions.

Industry Minister Tim Ayres tried to calm the waters, insisting there are no current plans to alter copyright laws for AI. The government claims it’s committed to maintaining strong copyright protections. Creative professionals and royalty collection agencies breathed a collective sigh of relief, but they’re not letting their guard down.

The whole debacle exposes a fundamental tension: tech giants want unfettered access to creative works to feed their AI models, while creators want control over their intellectual property. It’s David versus Goliath, except Goliath has billions in venture capital and an army of lawyers.

The message from Australia’s creative sector is crystal clear: hands off our work. They’re not interested in sacrificing their livelihoods on the altar of Silicon Valley’s AI ambitions, no matter how many billions the Productivity Commission waves around. Sometimes, the price of progress is just too steep.

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